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Artists and Aestheticians Who Believe That Purely Abstract Art Is Moral and True

Abstract art creates compelling compositions that depart partially or completely from standard visual references by employing a visual language of colours, lines, shapes and forms.

Related articles: The history of Geometric Abstract Fine art - Abstract Art: Boundless Territory To Create - Which Abstruse Painting is for you?

Defining abstract art can be daunting, a coherent Abstruse fine art definition should include all its complexities and facets: is that even possible? Peradventure, it is best to first by describing what Abstract Fine art is not.

An Abstruse Art definition

An artwork can be defined as belonging to the abstract fine art tradition either if it does not represent a person, a matter in the natural world, or a place, or if it does then without making an accurate depiction of a visual reference.  Abstract artists do non appoint with a representational estimation of a subject. They use a visual language that consists of shapes, forms, and gestural marks in order to create compositions. Brainchild means pulling or drawing away from, in visual art this is translated in the choice of distancing whatever depiction from any literal or representational reference subject. The term abstract fine art can be applied both to artworks that use forms with no reference at all to an external visual reality and to artworks that are based to a certain extent on a object, landscape or even a figure, but whose forms have been profoundly schematised or simplified, such equally an in Cubist artworks. So, the departure from reality can be slight, partial, or complete.

Helen Frankenthaler, Leprechaun, 1991. Courtesy of Heritage Auctions.

Theories and Ideas Behind Abstract Art

Abstraction has been and still is widely deployed past artists toward different ends. Abstract fine art has innumerable expressions, each of them with its own style and meanings. Still, it is possible to outline some common ideas behind abstract fine art. According to some, abstraction is but "art for art's sake", so art is merely a pure cosmos of beautiful visual effects without secondary goals or intentions. Others see in abstruse fine art an equivalent to music: music has patterns of sounds, art has patterns of colours, shapes and lines. Another pop perspective looks at abstract art as a fashion to represent the spiritual, the highest forms where dazzler lies. Borrowing the concept of idea from the Greek philosopher Plato, the pure form of beauty does not lie in the real world, but in its geometry and abstract representations. Lastly, abstract art is also often seen as conveying a moral dimension with virtues such as simplicity, purity, spirituality and order.

Why Abstract Art?

It is important to endeavour to retrace the origin of information technology as well as the motivations that brought abstruse artists to get out figurative fine art, equally the art historian Kirk Varnedoe asked "Why abstract art?".

The beginnings of Brainchild

There is an intense debate among experts most when abstract art emerged. The majority consider the 1910s the birth of abstract art. The famous painting "Moving-picture show of the Circle '' by Wassily Kandinsky is celebrated as the first abstract artwork. Other experts retrace the origins of abstract art in the works of romanticism painters, such as William Turner, whose works emphasise the visual sensation over the depiction of objects, and thus, to a certain extent, they can exist considered equally abstract works. Real objects, afterward all, can expect abstract, as shown by the artist's work "Sun setting over a Lake'', 1840. The artist's non-naturalistic depiction of the landscape is characterized by hazy details that are nevertheless able to convey a familiar visual feel to the viewer.

Joseph Mallord William Turner, Sun Setting over a Lake, c. 1840. Courtesy of Tate.

Yet, it is from the 1910s that abstract fine art began to gain popularity and attract many artists and critics. The end of the 19th century was characterized by fast and dramatic changes in the life of European and American cities. Technological progress brought, amidst other things, the invention of photography. All of this led to a change in the style in which life was represented in artworks, with many artists tending towards an escape from the world of recognisable objects. For instance, Matisse and Derain adopted a way of representing their subjects and objects in non-familiar ways, with intense colours and wide brushstrokes. They were called les fauves (wild beasts), which led to their creative style being named Fauvism. On the other hand, artists such equally Picasso and Braque gave shape to Cubism. In their artworks, they draw reality by showing simultaneously multiple sides of their subjects, flattening and breaking them upwards into geometric forms and scattering them on different planes. Also, Italian Futurism, with the intent of representing speed, the over-stimulation of urban life and technological progress, complanate space and time into one paradigm.

These unlike artistic styles led to the emergence of a fashion of making art that was completely untethered from the globe of recognizable objects. The artists involved offered multiple, different explanations for their adoption of abstract art. Some of them were driven past the intent of representing new and universal truths of modern science, societal and consciousness revolutions, and cardinal changes taking place in philosophy, engineering science and scientific discipline. Others were more concerned with the immediacy of forms and colours. Others nonetheless believed in the capacity of art, freed from the burden of the representation of the subject matter, could speak directly to the soul. It is besides noticeable that the period in which abstruse art emerged coincided with the cataclysm of World War I. It is possible to encounter in abstractism a way to digest a troubling and horrifying reality.

Wassily Kandisky adopted abstract art as a form of expression in order to connect with the spiritual globe, challenge that art was "[...] what the spectator lives or feels while nether the effect of the form and color combination of the pictures" . In other words, for the creative person, the abstraction was meant to depict a side of reality that cannot be seen, comprising feelings and consciousness. The creative person was influenced by music too as by a diverse range of artistic experiences such as African Fine art, medieval German woodcuts, folk art and children's drawings.

Wassily Kandinsky, Composition, VII, 1913. Courtesy of The Land Tretyakov Gallery.

Kazimir Malevic, instead, affirmed that pure artistic feeling could be reached with compositions of geometric elements. His creative style was named Suprematism, recalling the attempt to convey the supremacy of such artistic feeling. Piet Mondrian translated into paintings his idea that everything can be depicted horizontal and vertical lines, revealing the true structure of the world through gridded arrangements. He called this Truth, which is opposed to spatial illusion.

Piet Mondrian, Composition No. Two, 1913. Courtesy of Kröller-Müller Museum, Otterlo.

After Earth War I, the master principles of abstract art were institutionalised past academies such as the German Bauhaus, which had a not bad bear upon on reshaping the aesthetic of graphic design, film, architecture besides equally of painting and sculpture. The school had the goal of improving the quality of life, focusing on functionality on acme of aesthetics.

From Earth War II to the Present Twenty-four hours

The ascension of totalitarian governments, and then, the outbreak of World State of war II had a profound touch. Artists started questioning how to represent the horrors and suffering of human experiences, how to communicate retention, emotions and spiritual behavior. They found it quite hard to do then "realistically", adopting figurative art.

After Earth State of war II, abstract fine art began to gain popularity outside Europe. The war itself led some European artists, including Anni and Josef Albers, Piet Mondrian, Jacque Lipchitz and Max Ernst, to flee to the US. This created a cultural milieu that favoured the emergence of a grouping of young American artists who adult a new take on abstruse art: Abstruse Expressionism. This time, the motivations and ambitions were profoundly different from the ones expressed by artists at the showtime of the century. Jackson Pollock, Willem de Kooning, Marking Rothko, and other artists were influenced by surrealism with its exploration of the subconscious likewise as jazz and Greek myths and archaic cultures in an try to find timeless subject matter. Abstract expressionist artists non only conveyed the essential qualities of painting without whatsoever external visual reference, simply too gave a new important office to the procedure of fine art-making. The immediacy of their work reflects the improvisational techniques used by the artists. Their artworks are thus well able to give rise to strong emotional responses.

Marking Rothko famously affirmed: " I'thousand interested but in expressing bones man emotions—tragedy, ecstasy, doom, and so on, and the fact that a lot of people break down and cry when confronted with my pictures shows that I tin can communicate those basic human emotions ". In the artist's works, the pureness of pictorial properties such as colour, scale, proportions as well as visual elements such every bit the alternately radiance and darkness give rise to a profound emotional response. These features are linked to themes such equally the sublime, tragedy and ecstasy. Rothko is a pioneer of colour field painting, a style that is characterised by big areas of a flat, single, and unbroken color.

Marking Rothko, Untitled (Red and Burgundy Over Blue), 1969. Courtesy of Sotheby's.

Another important figure of Abstruse Expressionism is Jackson Pollock. His revolutionary "baste" technique consisted of pouring and dripping thinned paint on large canvases that were positioned on the flooring of his studio. The artistic process that encompassed improvisation and physical engagement with the cloth became a cardinal part of the final artwork.

In the 1950s, Abstract Expressionism was one of the about popular and critically acclaimed art movements. During the Cold War, it was promoted and largely funded by the The states government as an emblem of freedom under liberal democracy. Over time, abstract art developed into a multitude of distinct movements. For instance, the Japanese Gutai group was an avant-garde motility whose artists also used large canvases as arenas for activity. One of the artists involved, Kazou Shiraga, painted with his feet. They explored the human relationship between the material and the homo spirit. But also other movements emerged: these included the mail-painterly abstraction; Minimalism with its hard-edged, clear geometric forms, and industrial material; Op Fine art; Neo-expressionism, Conceptual Brainchild and many more. What all of these different forms of expressions and styles suggest is that brainchild was and still is a productive and fruitful field that has been adopted by a wide range of artists with unlike goals, allowing them to experiment and create compelling artworks.

Mary Heilmann, Crashing Wave, 2011 (detail). Courtesy of the artist, 303 Gallery, New York, and Hauser & Wirth.

Today, abstract art engages with different mediums and materials. Building on prior approaches and styles, it offers fascinating reinterpretations and new creations. Gimmicky abstract artists continue to question the boundaries of what is art and what is the right manner or the incorrect mode to make fine art. They further explore the relationship between art and technological progress, in item, the meanings of creating a painting in the digital age.

Abstract Art in the Fine art Market

Abstract Art is very popular on the fine art market, offer a great range of styles and different artworks. The flexibility in the interpretations of abstract works, its immediacy and its international character make it very market friendly. In 2020, six of the fifteen most expensive artworks sold at auctions were abstruse. Amidst these Cy Twombly's 1969 "Untitled (Bolsena)" , was one of the highest-valued lots of Christie's October 2020 sale. Information technology was sold for $38.7 meg. Interestingly, the 2nd most expensive artwork of all fourth dimension is an abstruse painting past Willem de Kooning: "Interchange", which was sold in 2015 for c. $300 million. Not only do large names attract art collectors, but also it is possible to observe a ascension interest in the art market place for contemporary abstract fine art. One of the most successful gimmicky abstract artists is the Brazilian painter Chrisian Rosa, who works across media, focussing mainly on collage and painting. Also, the American Ben Berlow is widely recognised amidst gallerists and art enthusiasts.

Comprehend image: Jackson Pollock, Blue Poles, 1952. Courtesy of: Jackson Pollock/© The Pollock-Krasner Foundation ARS, NY.

Written by Francesca Allievi

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